Fall Courses

* Approved for Area 1 of the CSTC.

* Approved for Area 2 or 3 of the CSTC.

In this interdisciplinary theology seminar, we shall probe the origin and nature of evil by engaging key biblical, philosophical, psychological, and anthropological resources. Central to our discussions will be a sapiential (wisdom-oriented) re-reading of the Fall narrative of Genesis 3–4, set against the backdrop of the good, yet largely wild, creation of Genesis 1–2. In addition to surveying a variety of contemporary theodicies read up against the challenge offered by both “protest atheism” and the biblical lament literature (especially the book of Job), we shall also pay special attention to the correlation between victim and agent in the ongoing dynamics to “original sin” and to the concomitant role of fear in the construction of culture. In attending to evil’s (arguably) anthropocentric origin as a key to its present nature—which will prompt us to revisit our understanding of the primordial conditions of possibility along with the largely overlooked biblical connections between the Satan and the absolutization (and denaturing) of Justice—we shall also look ahead, via pondering the relationship between law and grace, to the promise of a (divine and human) judgment unto salvation.... [More info coming soon]

A study of Kearney’s trilogy Philosophy at the Limit as well as his Anatheism, focusing on his exploration of that “frontier zone where narratives flourish and abound.” Participants will examine Kearney’s attempt to sketch a narrative eschatology that draws on the work of Heidegger, Levinas, Derrida, and Ricoeur.... [More info here]

An exploration of central issues in philosophy, as addressed by Herman Dooyeweerd, Dirk Vollenhoven, and the “Amsterdam School” of neoCalvinian thought. The course tests the relevance of this tradition for recent developments in Western philosophy. Special attention is given to critiques of foundationalism, metaphysics, and modernity within reformational philosophy and in other schools of thought.... [More info here]

The emotion of “pity” (eleos) or “compassion” is at the heart of Athenian tragedy, the great forbear of Western tragic drama. For Aristotle, creating feelings of pity and fear in an audience was thought to provoke a catharsis of those emotions that enabled a positive moderation of our passionate natures. But, as George Steiner has observed, the subject matter of tragedy places those emotions in a register beyond the ordinary. As fundamental human responses to extraordinary human suffering, they signal the “core of dynamic negativity” that underwrites authentic tragedy. Raising the problem of human pain and fragility in the face of circumstances potentially beyond human control, representations of human suffering have a metaphysical and, more particularly, theological dimension that has long provoked philosophical interest in the dynamics of tragic drama. In this course, we will examine the interface between philosophy and works of tragic drama as that interface pertains to the psychology and aesthetics of compassion. Looking to such writers as Plato, Aristotle, Seneca, Augustine, Dante, Shakespeare, Dostoevsky, Friedrich Nietzsche and Simone Weil, we will investigate the place of compassion in Western philosophy and theology and the roles that art and imagination have played in the stimulation of compassionate response.... [More info here]

* Approved for Area 2 of the CSTC.